A comparison of Old Mrs Chundle Essay Example for Free

A comparison of Old Mrs Chundle Essay Old Mrs Chundle is a short story set in a village in southern England. It was written by Thomas Hardy between 1880 and 1890. It is a story of a kind popular at that time, a gripping story which is amusing but also has a character we can sympathise with. It is set against the background of country people to whom religion and the clergymen who represented religion were very important. Clergymen were treated with great respect and people attended church services regularly, with the church activities being a main focus of their lives. This was especially the case in rural communities. A Visit of Charity is a short story set in a very different place, a small town in America in 1949. It concerns the activities of a Campfire Girl, which is a kind of Girl Guide, and the sort of group which middle class girls of that time would join. These girls would take the aims and activities of the Campfire Girls seriously, and the story is about Marian, who is visiting the elderly in order to acquire points. She needs points to obtain a badge. Both stories have a common thread which makes them comparable, although they are so different attitudes to and treatment of the elderly and to charity, in the sense of caring for the elderly. Both concern the interactions between a do- gooder ( Hardys curate) and Weltys Marian) and old ladies (Mrs Chundle and the old ladies in the Home) In Old Mrs Chundle we meet the curate, new to the parish, who wants to create a good impression, certainly to his superiors. He is a refined young man who sketches he thought he would make a little water colour sketch. He does not speak in the dialect of the locals which shows how he is socially above them and more educated than them. He uses patronising phrases such as my good woman. He is not able to understand what makes a person like Mrs Chundle tick, as he does not have any experience. The rector, who is from the same social background as the curate, has learned a few things from experience, and warns the curate you should have left the old woman alone. The curate cannot understand why anyone would lie about going to church. He is not able to cope when things become difficult or messy and he gives up. When the smell of Mrs Chundles oniony breath blasts into his face from the ear trumpet, such a unpleasant incident as could be expected from an elderly person, is outside of the curates ideal world. He is disheartened and discouraged easily when faced with a setback. He immediately plans to back out of helping Mrs Chundle, preferably without telling her. This shows the curate as a rather cowardly person. It would have been better for him to explain to Mrs Chundle that his idea had not worked, and that he would try to think of something else. He only wants to help her in a superficial way in order to promote himself as doing the job as he thinks it should be done. He cannot cope. He avoids going to see Mrs Chundle after the pipe is removed so as not to have to discuss it with her, and by the time he does go, she is dead. He then feels guilty at having let her down and that she thought so highly of him she put him in her Will, and kneels in prayer. However this is only for some minutes, then he rose, brushed the knees of his trousers and walked on. In other words, he brushed Mrs Chundle away. The image of him brushing dust off his trousers is a symbol of brushing away the old lady. However, the death of Mrs Chundle upset him his eyes were wet and Hardy tells us that the curate was a meek young man. The curate stood still thinking, and perhaps he was considering how badly he had handled the situation. Hardy leaves us to wonder whether the curate really does not care about what has happened, or whether during his reflections he has considered better ways of dealing with people in the future. Mrs Chundle is portrayed as an independent and capable old lady she grows and cooks her own food, and runs a comfortable home. She respects the clergy I dont want to eat with my betters. She has never travelled. No one seems to have helped her overcome her deafness and she is pleased by the curates efforts, enough to put him in he Will. Yet she does have neighbours who care about her. The gulf between the social class of Mrs Chundle and the curate is emphasised by the fact that he is never named and she is. Marian, in A Visit of Charity is by contrast a young teenager. She is going to visit some old ladies whom she does not know in a Home, for the purpose of earning Campfire Girl points. She does not really want to do this as she is frightened of what she might find. She only takes a plant to earn an extra point. Her main interest is to get away as quickly as possible- any old lady will do. She probably feels under pressure from the girls in her group to acquire these points, so as to be the same as all the other Campfire Girls. The nurse at the home is impersonal and cold. She is not very responsive to Marion as she has seen Campfire Girls before and knows why they have come. She represents the institution she is dress in white (a cold colour) her hair is like a sea wave (the sea is cold and you can drown in it). The language used in the two stories helps to set the scenes and enable the reader to picture the situations and understand the characters. In A Visit of Charity, the scene is set at the beginning as a very cold day. The American term Campfire Girl shows us that the story is set in America and the description of Marions clothes gives us an idea that the time is late 1940s to 1950s. The atmosphere in the story is cold. The Home is on the outskirts of the town, isolated rather than in the cosy centre. The city is said, ironically, to have beautified the Home with dark prickly shrubs. The author uses the ideas of hot and cold, light and dark to paint a rather grim forboding picture of the Home. The character of the nurse is given formal language, which symbolizes the coldness of the Home. She speaks curtly and strangely formallyAquainted. Instead of do you know or have you met. She refers to the plant by its Latin name multiflora cineraria instead of as a pretty plant. She says Visitor! to the old ladies, as if this was a command instead of an introduction. The nurses speech is short sharp and sparse which is unfriendly. Her mode of speaking adds to our image of the treatment of the old ladies being a time wasting duty or unpleasant job rather than them being treated as people who need care. The two old ladies have a conversation rather in which they repeat what each other say Did not Did so. Pretty flowers they are not pretty. By use of this kind of repetition, there is emphasis on the pointlessness of the conversation, and the pattern of the words, pretty and not pretty draws the readers attention to this. One of the old ladies refers to the plant as stinkweed and the adjective stink could refer to the ladies or to the Home. During the visit, in the old ladies room, Marion has difficulty speaking Marion breathed. She also forgot her own name. Yet a sharp contrast is presented when she leaves the Home to go back into her own world, because she shouts a command to the bus driver wait for me. In the Hardy story, the language often reflects the different age in which the story was written and uses words or constructions which strike us as old fashioned for example, had not been a week passed on his way hither. The curate had a cambric handkerchief. The language used in the speech of Mrs Chundle is strange to us but if read aloud, the patterns reflect her west country dialect. The words given to the curate and to the rector contain only formal language ,similar to the story itself. The language is quite stilted, compared with that in A Visit of Charity, which is more similar to todays language. Hardy conveys the warmth of Mrs Chundle in her dialect, and in the detail of her home a wood fire sounds cosy. Her foods are warm boiled bacon onion stew and they are homely. The rector is put across as a warmer, gentler character than the curate. The rector has been in his job for thirteen years which conveys an older more experience man. He chuckles which softens him compared to the curate. Old Mrs Chundle consists of formal old fashioned English, and speech dialect. A Visit of Charity consists of less formal English, because it is American and was written later. The speech is not in dialect. There is more variety of language in Old Mrs Chundle. The old ladies in A Visit of Charity are portrayed as insane and physically repulsive like a sheep bleating. The Home is horrible. It smells like the interior of a clockThe old ladys hands were claws and one of them screamed. The whole place made Marian feel sick. Eventually Marian escaped through the heavy door. The whole experience made her scared of old people, since these old ladies were presented as being so unpleasant and frightening. The grimness of the Home is conveyed by the imagery of the heavy door through which Marion escapes (as if from a prison). The picture is completed by the prickly plant outside of the heavy door. If the Home were warm and welcoming and a kindly place, the door would have been described as being made of a warm type of wood and there would have been pretty or attractive plants and flowers as a welcoming sign. The imagery of a kind of prison frontage, coupled with the day being cold gives us an impression of the attitudes of the Home. Whilst Mrs Chundle is portrayed as an eccentric deaf old lady, she is shown as real and warm, with a home. She has neighbours and is part of a community. The curate tried to bring her into the church. However, the old ladies in A Visit of Charity are portrayed as mad and disgusting, made more so by their horrible uncaring surroundings and impersonal carers. The two stories show how care of the elderly had changed in the years between when they were written from being respected within a community to being degraded in a Home, and only visited for the visitors motives. At least the curate, although he does not entirely have Mrs Chundles welfare as his main concern, does do something to help her, but nothing is done for the old ladies in the Home. A further contrast between the two stories is shown in the way we are introduced to the elderly people. In Mrs Chundle, our character is referred to by name frequently and she has a charming way of speaking in the west country dialect; dialects often depict warm, simple types of people. In A Visit of Charity the nurse tells Marion there are two in each room and Marion wonders of what are there two. The nurse is actually referring to elderly people but shows by this expression no respect for them. She also does not greet them by name she rudely announces visitor not even explaining who the visitor is. This shows how the old ladies in the Home are regarded with contempt and as of low importance, certainly not as proper human beings. The thoughts of Marion likening some of her experiences in the Home to sheep and bleating enhances the impression conveyed to us of the care or other wise of the elderly ladies. One old lady does refer to her room mate as old Addie but it is not clear whether that really is her name or just ranting on the part of the old lady. These two stories illustrate the giving of charity in different ways. In the Old Mrs Chundle, the curate tries to help the old lady mostly because it is his job, but she is shown as being in a community that cares. Although the efforts of the curate were short lived and perhaps not from purely selfless motives, the neighbours cared for her and she lived in her own home and was happy in her own way. The curate was not really cruel to her and she appreciated him more than he deserved. However, in A Visit of Charity no caring character appears and no character gives anything to the old ladies the nurse is doing a pain job and the girl is gaining points for herself. The old ladies get nothing from these two people. It is probably rare for anybody to totally give of themselves for nothing in return, but in these two stories, the character who gains most is clearly Mrs Chundle. The stories illustrate the fact that the best care and concern comes not from paid workers ( curates or nurses) but from the people in the community (in the Hardy story the neighbours, but they could be family). Care of the elderly in the late nineteenth century rural England and immediately post war America is not really comparable. However, there has been for many years a decline in care in communities and the help of neighbours family or religious organisation and an increase in care from social workers medical workers and paid homes. This is a trend in societies in the western world, where the elderly are increasingly thought of a nuisances (the government does not want to increase the Old Age Pensions as it thinks the money can be better spent, and hospitals do not want to treat old people as some doctors find it more cost effective if the old person dies) rather than as assets to be respected for their knowledge and experience. The contrasts in attitudes to and care of the elderly in the two stories studied reflect these trends.

Benefits of Internships :: Career Jobs

Readings for the 21st Century No Time for Fun Most internships are good to have because they volunteer and help before they become an employee. Companies find interns from the interns coming to them. Corporations and companies get the interns because most interns want to look for good jobs they want, because most of them have college credits, and are looking for experience. Companies and corporations get interns because they are looking for a good record of good experience in the position they are applying for. There are many benefits for the interns. Although, internships are usually thought of as benefiting the actual intern, they offer the employer many benefits as well. Internships are great for the employer because of the help they give, costs they don’t have to pay for, usually, boosted credentials, such as: qualifications and they benefit from potential future employees. The job above the interns, employers, gets lots of help from interns in lots of ways. 2 Interns help from anywhere form, building, cleaning up, and â€Å"specialized camps and summer-abroad programs†(Lab, 77). Interns make the employers job a whole lot easier. They don’t have to work as much as they would if an intern didn’t care to help. But the interns make sure they do, only to make a positive effect on the employer to hire them with more satisfaction. â€Å"Princeton Review got so many tutoring requests in the ritzy Hamptons this year that it had to rent a summer house to accommodate all the tutors.†(Labi,77). â€Å"Tony Bialoruki, 18, of Toledo, Ohio, was a caddy before trading in his golf clubs for a toolbox last summer to help build an orphanage in Guatemala.†(Labi,77) Employers, companies, and corporations enjoy having interns around. Most of the employers don’t have to pay for interns to come and gain experience. They find it nice to have them come and learn, and have experience which makes the job easier and get better at the work they have for them. And companies can save money just for having an intern with great qualities work for them, and make the companies look good for what it deserves. â€Å"The job market is as strong as we have seen it in decades.†(Labi,77) On the other hand, â€Å"Wall Street, New York City, interns can earn up to $seven hundred dollars weekly, and sometimes get bonuses of $two thousand to $three thousand dollars†(Labi,77) Boosted credentials benefits the employer by the intern’s qualifications such as, a college

Representing Dreams and Hopes: Cinderella and the Disney Fantasy

The abstract sums up your paper’s purpose and content in 120 words or less. It includes important information such as the thesis and main ideas. Abbreviations and unique terms should also be defined. It should be in your own words and as brief as possible. >> Representing Dreams and Hopes: Cinderella and the Disney Fantasy Animation is a succession of images, sounds, and emotions in which Walt Disney has presented his miracle ideas by a number of animated cartoons and artworks for over 75 years.Apart from being products of science and technology, Disney’s animated features also have an entertainment value, which promise elements of hope, joy, and sorrow. In the video,Once Upon a Dream the Making of Sleeping Beauty, Walt Disney says: It is always a challenge for bringing a great story classic to the screen and giving visual form to the characters and the places that only existed in the imagination. But it is the kind of challenge that we enjoy. Disney’s programs t ake their audiences out of the world of reality to give a peek into the most fantastic world of fantasy, touching and encouraging audiences at the same time.In animated film history, the most popular example being Cinderella created in 1950. Since the early 19th century, its songs and narrative are a legend of the history of animation.. Cinderella (1950) is an incredible, classical masterpiece of animation history, a tribute to the Disney tradition of the animation production. It has successfully influenced cartoon culture and audiences over the years. Cinderella (1950) is an incredible, amazing, famous and classical American animated feature produced by Walt Disney and his studio. Since Mickey, Donald Duck, and Snow White Disney studios have dominated the American animation industry.Post World War II, this studio was in great financial difficulty. John Culhance, an author and film historian, mentions debts of USD $4 million after the WWII period. Ohmer, in That Rags to Riches Stuff : Disney’s Cinderella and the Cultural Space of Animation, presents that during the story conferences of Cinderella in May 1947, Walter Lantz, president of the Cartoon Producers Association, announced that animated film production would be cut more than 45% during the following year. Disney faced a number of obstacles, both external and internal and ranging from economic to sociological.Under these circumstances, producing a full-length feature seemed difficult given the time required to produce an animation film, which is usually about three to four years. Although it took risks of producing Cinderella, Walt Disney was persistent in fighting for his dream. It motivated him to make a full-length and full-colored animation movie despite his studio being in financial difficulty. In Cinderella, with a running time of 72 minutes, Disney used USD $2. 9 million for creating an attractive and dramatic content. Cinderella is based on the fairy tale â€Å"Cendrillon† by Charles Perrault.Right from her sparkling ball gown and glass slippers to the Fairy Godmother, the mice, and Cinderella herself are etched in people’s minds. Apart from Perrault’s version, Disney added some extra details to the screen version. For example, when the two ugly sisters damage Cinderella’s ball gown, she looks kinder and lovelier. It successfully brings out the individual trait of each character. This 1950 classic fairytale helped Disney and his team save the entire cartoon business and helped create a legend. The film was a huge success at the box office, which allowed Disney to carry on the animation empire.Cinderella has re-released at least six times in different generations. From the format of VHS video to the latest platinum DVD edition, it helps Walt Disney earn huge success and also make millions and millions of profits. Although there were limitations while producing Cinderella (1950), Disney used two critical strategies to save money and control t he cost of production. These strategies defined the work process for creating animation feature films. To begin with, they hired outside consultants to conduct the market research. The research of product manufacturing was established through advertising and production conference.Disney also used a previews section to understand audiences’ reactions. This helped to focus on audiences’ likes and dislikes. They wanted to make sure that everyone would love to see Cinderella. Joel Siegel, a film critic, also praised Cinderella stating that the story presented the faith of â€Å"American Dreams† and â€Å"Hollywood Dreams†. To illustrate, Cinderella imagines herself as the girl, who is chosen by the Prince and dresses up beautifully. People were attracted to this story, primarily because it transformed people’s dreams onto the screen.Disney and his team transformed the dream into motion picture on the screen. This is also the major reason why this story is still fresh in the audiences’ minds and still very popular amongst generations for 60 years now. The second strategy that Walt and his animators used was a live action model for reference to shorten the development processes of Cinderella. Helene Stanley was the action model used, while Ilene Woods was the voice artiste. Both contributed greatly in creating this motion feature film. The live action models helped Disney transform the magical moments of the scene into meticulous details.The animators paid careful attention to human movements; so that they could make the characters alive on screen. Before the final artworks were made, live action footage was used to create the plots, time the sequences of action, track both facial and physical movements of the characters, and test their cohesiveness. Actors and actress wore full consumes with makeup, in which they acted out of the screen on stage with background setting. Cinderella provided a link between Disney’s pre sent and its past, and shaped the legacy of animation production.After using live actors for motion reference to produce Snow White and the Seven Dwarf (1937) and the hugely successful Cinderella (1950); Disney truly thought that using live action model reference could allow the animators’ ability to improve the picture to be more realistic. They could take photos frame by frame such that some key poses could be pulled out directly as a basis for drawing the flipbooks. Shooting the film in live action also minimized the changes in the drawings and helped speed up production. The production of Cinderella thus proved how important and valuable it was to use live action models for reference.Since then, 90% of the hand drawn animations were created based on live action models. This production strategy is still being used for more recent animation films, such as The Little Mermaid (1989) and Hercules (1997). The Little Mermaid (Platinum Edition) The Making: Live Action Reference ( Clip), shows that Broadway actress Jodi Benson was chosen to play the voice of Ariel; while Sheri Lynn Stoner, a former member of Los Angeles’ Groundings improvisation comedy group, was chosen to be the live action reference model of Ariel.Glen Keane, the co-supervising animator of Ariel, indicated that he understood the importance of studying frame by frame of footage in drawings. Since the animators wanted to balance the coherence of the sound and motion, live action models did help create detailed and realistic drawings. The Making of Hercules, 1997 video showcases Disney’s traditional production strategy, even though modern animation uses a combination of technology and art works. The production of Hercules (1997) combines traditional animation techniques with the latest computer-generated imagery CGI to add graphics and 3D effects into the film.Roger Gould, the CGI supervisor, mentioned that the computer could only help in creating more than what they could do bef ore. However, all the preparation and production processes still remain very traditional. Once the story structure is completed and presented using a storyboard, voice artistes record voices of the characters by adding other details to the animation. Nik Ranieri indicated that he wanted the voices and the animations to be combined nicely; therefore, the voice artistes’ performances were very important to create detail body movements and facial expressions of the character.Andreas Deja, the supervising animator of Hercules, combined Tate Donovan’s energy and naive quality into the characteristics of Hercules. Besides, different voice actors also acted out with body movements and facial expressions. For example, Danny DeVito (the voice artiste of the Philoctetes), changes his facial expressions while talking in different tones. The animator videotaped Vito’s recording process and used these expressions while animating Philoctetes. James Woods (the voice artiste of Hades), used his body movement and sneer as the basis for Hades’ gestures.These elements are very powerful and increase the ability of storytelling. By comparing the production processes of Cinderella (1950), The Little Mermaid (1989), and Hercules (1997) Disney and his team strived to animate magical moments into realistic motion pictures. They created many unforgettable scenes, such as Cinderella imagining herself as the girl chosen by the Prince and dressing up beautifully; the Little Mermaid becoming human to look for her true love and dreams; and Hercules sacrificing himself to save his lover and finally becoming a real hero.There is no doubt the huge success of Cinderella (1950) created a defined the production legacy by building up a traditional system for creating animation feature films. Disney and his studio not only aim on creating entertainment, but also present the meaningful thesis of â€Å"Dreams can come true if you have the courage to pursuit them. † By comparing the latest princess story of Cinderella (1950) and The Princess and The Frog (2009), we can certainly pinpoint that Cinderella influences the cartoon culture of Disney stories.Typically, Disney stories present royal romance including love, faith, and dreams. Moreover, they highlight the importance of the Fairy Godmother, the narrative power of the songs, and animal helpers. Cinderella (1950) is really a successful story, which can attract everyone in different generation, because all people have the imagination and dreams. Most girls can identify with the Cinderella story and would like to be pretty like her and be chosen by their Prince who will help them put on the glass slippers.Many boys also want to find their true love just like the Prince found Cinderella. The lyrics of â€Å"A Dream is A Wish Your Heart Makes,† encourages people in different generations. â€Å"No matter how you heart is grieving, if you keep on believing, the dream that you wish will com e true. † Cinderella is transformation by Fairy Godmother with the beautiful ball gown, is one of the scenes liked by Disney the most. Thus, Cinderella not only explores the audiences’ imagination, but also makes everyone’s dreams come live on the screen.

The Age Of The Robot Warrior Machine - 2086 Words

The age of the robot warrior machine is looming, and it will represent monumental changes in the future conduct of war. Increased precision and decreased risk make the automation of warriors politically and militarily attractive. Government and military leaders will have to address the numerous moral and ethical questions about when, where and how to utilize these lifeless soldiers. To answer similar questions in the past, many leaders relied on the military theory from the Prussian theorist Carl Von Clausewitz’ book â€Å"On War†. Even though his theories have proven helpful in the past, can the ideas written in the 1800’s, truly be useful when applied to such drastic changes in the future conduct of war? Clausewitz military genius is immutable. Even though his writings are almost two hundred years old, the application of Carl Von Clausewitz’ theories on war are relevant for today and in the future. Technological advancements will present unique challenges, but as long as the true nature of war remains unaffected, his paradoxical trinity will continue to provide visionary insight and value to future leaders attempting to address wars’ most difficult questions. The distinction between absolute vs. real war and his theories on the relationship between war and politics, and the concept of friction remain timeless. What we are really dealing with is another change in the character of war which Clausewitz has helped leaders deal with in the past and will again in the future.Show MoreRelatedAnalysis Of Gwynne Dyer Anybody s Son Will Do1312 Words   |  6 PagesTo train a soldier at a young age is something that not only the Marines strive for but the ancient warriors did so as well. They felt that it was the smart thing to do in terms of disciplining them through a closely structured environment. As boys in young age are more emotional, strong and have a great attraction toward fighting. 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